Dancing their way to stardom
Some of the dancers
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Two
professional dancers, Agocha Davies and Ishioma Adesuwa, speak with
GBENGA ADENIJI on the essence of a performance held at the University of
Lagos on Saturday
Besides being from Delta State, Agocha
Davies and Ishioma Adesuwa are bound to the same passion that trascends
tribal affiliation. They are both professional dancers.
It is this zeal for adjusting the human
body to conform elegantly to the rhythm of sounds that made the duo to
jointly organise a three-day project tagged Dance Advance.
The project, which, Davies says, is
designed to advance dance in Nigeria, featured 10 dancers who asserted
their dancing ingenuity with artistic steps and body movements.
According to Davies, the dance
performance held on Saturday at the Creative Arts Department, University
of Lagos, was the final staging of what the dancers learnt during the
first two days of the three-day workshop.
Davies, states that they have always
looked forward to organising such a project for the advancement of dance
in the country. He adds that the dancers were recruited via online
publicity.
Davies says, ‘‘The workshop is to
enlighten dancers and make them understand the techniques and ethics of
dance itself. It is not just about coming out to dance. It involves
building a career in dancing. We held classes and recruited artists’
dancers who assisted us with the classes.
“Ten dancers were at the workshop. On
Monday, we introduced them to the genres of dance because they were a
bit alien to them. But because many of them have been dancing before, it
was not too difficult for us to teach them. The second day which was
Tuesday was more rigorous. Many of them.”
Besides, Davies explains, the project
focuses on training up and coming dancers on the genres of dance that
are acceptable globally. He notes that modern dances such as classical
ballet are not known in this part of the country.
Davies further states that they are not
going to train the dancers and abandon them to their fate. He says they
will constantly monitor their improvements in their resolve to blend
African dance with what obtains globally.
Also, Adesuwa notes that through the
project, they are trying to expand the horizon of African dance so as to
be in tune with modern dances.
She says, ‘‘This is because many dancers
do not have the background in dancing except the African dance which we
also value. We are grooming these dancers for international
competitions where many of the genres of dance are incorporated in
traditions.’’
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